A 2nd Edition of this incredibly popular revision guide, this portable-sized book is ideal for consolidating knowledge both at home for revision, and at school as a lesson-by-lesson summary as the course progresses. // AO1 Description on the left-hand page: content divided into six points for six AO1 marks in extended writing questions. // AO3 Evaluation is on the right-hand page: three AO3 points plus counterpoint and extra evaluation (discussion) point. // Exam practice questions, including AO2 application questions, are on every spread providing lots of practice. // Research studies have been simplified to help revise and recall the information. // Detailed exam advice section is included, with hints and tips offered throughout the book. // Lots of illustrations and the odd corny joke help make it very user-friendly! // It combines brilliantly with the 'Pink-hair Girl' 2nd Edition Flashbook as well as the original (and still completely relevant) Revision App.

From its long coastline, with cliffs and islands that bustle with breeding seabirds in the summer, to its open moorland that hold some of the most southerly Curlews and Black Grouse, Wales packs a lot of birds into a small area. It is significant for its populations of Chough, Hawfinch and Pied Flycatcher, and its Manx Shearwaters are of global importance. And it has played an important role in the study of migration, as Skokholm was the first bird observatory in Britain. It is almost 30 years since the first avifauna was published for all of Wales and much has changed. Knowledge of the status of many species has increased thanks to improved monitoring and a greater number of birdwatchers, and we have a better understanding of how humans have affected Wales' birds, particularly the twin challenges of land-use and climate change. The Birds of Wales synthesises the new information and sets it in context of each species' history in Wales. It tells the stories of all the birds that have been recorded here, whether common or rare, and looks forward, anticipating what may occur in the coming decades. It will have an essential place on the bookshelf of everyone with an interest in birds in Wales and should be on the desk or in the rucksack of everyone who influences what happens to the nation's land and seas. It is a once-in-a-generation state of Wales' birds.

Over the course of a long and very successful career spanning the first half of the 20th century, Lucy Kemp-Welch established herself as one of the leading equestrian painters at work in the UK and one of the country’s best-known women artists. David Boyd Haycock’s new, extensively illustrated biography of Kemp-Welch brings this remarkable artist and her work back into sharp focus.   Born in 1869, Kemp-Welch first came to the art establishment’s attention in 1897 when her immense painting, Colt Hunting in the New Forest, caused a sensation at the Royal Academy’s Summer Exhibition; the work was bought for the Nation by the Chantry Bequest in the year of exhibition. In 1915, she illustrated Anna Sewell’s Black Beauty, and was commissioned to paint images for the Government during the First World War. Later, the mural Women’s Work in the Great War, was placed in the Royal Exchange in London, where it remains to this day. Respected art writer and curator Boyd-Haycock shines new light on Kemp-Welch’s life, writing from a 21st-century perspective and reflecting on her as a female painter in a male-dominated environment. Alongside Kemp-Welch’s paintings, the book will feature exclusive period photographs of the artist herself, shown at work and in her studio.

This book is based on the Fifth Annual Military History Symposium held at the Royal Military College of Canada on 30 and 31 March 1978. It explores the effects of factors such as politics, culture, and economics as well as military considerations for regular armies when dealing with insurgency.

Conflicts between regular armies and various groups of insurgents, fighting for a range of causes, are some of the most protracted and extensive military crises to have emerged in recent years. The introduction provides a point on which the five major historical examples that follow may be compared and contrasted. Similarities and differences between some of the more important episodes from this century are highlighted; similarities such as the role of intelligence, the value of police work and the necesity of expert political assessment and differences such as the factors of time or geography, or more strategically, success or failure.

This thought-provoking book for college students and those who minister with them deals with issues of faith, identity, sex, success, failure, and more, through the concept of belovedness. Every college student's story is different, but they all have the same questions in common. Who am I? How do I make good choices? What does it mean to be successful? How do I navigate changing relationships with my family, my peers, my significant other? And how do I do all of this faithfully? This book approaches these topics through a fundamental inquiry: "What if I really, truly believed that I was beloved beyond all measure, and how would that influence what I do?" Along with the editors, eight campus ministers from across several denominations contributed to this volume to help students navigate questions of life and faith in the world of high-pressure college campuses. Telling it like it is with wit and wisdom drawn from scripture, tradition, and life experience, this book offers profound and practical reminders of what it is to be beloved.

Originally published in 1955, on behalf of the Institute of Actuaries and the Faculty of Actuaries, this book forms the first of two volumes on actuarial practice in relation to mortality and other investigations. Taken together, both volumes were written to meet the requirements of the Examination Syllabus of the Institute of Actuaries. Volume one provides 'elementary accounts of the derivation of mortality and other rates according to age, of the smoothing of such rates and of the construction of Mortality and Sickness Tables'. This book will be of value to anyone with an interest in the development of actuarial practice.

Focusing on new 3-D "in vitro" methods, this book brings together examples of leading-edge work being conducted internationally for improving "in vitro" cell culture methods. It highlights the use of systems for enabling cell culture under laminar flow and the use of 3-D scaffolds for providing cells with a structure which replicates the function of the extracellular matrix and encouraging interactions more akin to an in vivo environment. Chapters cover state-of-the-art protocols for bioreactor systems, in vitro toxicity methods, non-invasive imaging, 3-D cell cultures, stem cell usage, and the integration and use of novel scaffolds.

Considered by John Singer Sargent to be the best British draughtsman since the Renaissance, Augustus John was the first of the British ‘Post-Impressionists’. Such was his importance that Virginia Woolf declared in 1921 that by 1908 ‘The age of Augustus John was dawning,’ and Wyndham Lewis would dub the ten years leading up to 1914 ‘the Augustan decade. Handsome, unconventional and full of brilliant promise and Bohemian spirit, John was the man almost every young British art student wanted to emulate. This book reveals why, telling his extraordinary story from his birth in south Wales in 1878 through to the end of his youth in the closing stages of the First World War. Interweaving his biography are the personalities who surrounded John, and the book looks at their influence on him, and his upon them. They include his fellow students at the Slade School of Art – his sister Gwen John and future wife Ida Nettleship, and his friends William Orpen, Ambrose McEvoy, Spencer Gore and Percy Wyndham Lewis – all of whom would become prominent artists in their own right. This book is a long overdue, new interpretation of this singular figure, who was both at the heart of the British artistic milieu, and yet set apart from its movements and manifestos.

An incisive examination into the pairing of psychology and situation that creates despotic leaders from the author of Murderous Minds. Not everyone can become a tyrant. It requires a particular confluence of events to gain absolute control over entire nations. First, you must be born with the potential to develop brutal personality traits. Often, these are combined in "The Dark Triad" of malignant narcissism, Machiavellianism and psychopathy, as well as elements of paranoia, and an extraordinary ambition to achieve control over others. Second, your predisposition to antisocial behavior must be developed and strengthened during childhood. You might suffer physical and/or psychological abuse, or grow up in trying times. Finally, you must come of age when the political system of your country is unstable. Together, these events establish a basis for a rise to power, one that Joseph Stalin, Adolf Hitler, Mao Zedong, Saddam Hussein, and Muammar Qaddafi all used to gain life-and-death control over their countrymen and women. It is how Osama bin Laden and the leaders of the Islamic State hoped to gain such power. Though these men lived in different times and places, and came from vastly different backgrounds, many of them felt respect for each other. They often seemed to recognize their shared, "dark" personality traits and viewed them as strengths. Only in rare cases did they show signs of mental disorders. "Getting inside the heads" of foreign leaders and terrorists is one way governments try to understand, predict, and influence their actions. Psychological profiles can help us understand the urges of tyrants to dominate, subjugate, torture and slaughter. Tyrannical Minds reveals how recognizing their psychological traits can provide insight into the motivations and actions of dangerous leaders, potentially allow to us predict their behavior?and even how to stop them. As strongmen and authoritarian leaders around the world increase in number, understanding the most extreme examples of tyrannical behavior should serve as a warning to anyone indifferent to the threats posed by political extremism.

'I Am Spain' focuses on the experiences of an interconnected group of individuals - some famous, others largely unkown - to tell the story of the Spanish Civil War.

'I Am Spain' focuses on the experiences of an interconnected group of individuals - some famous, others largely unkown - to tell the story of the Spanish Civil War.

In the first three decades of the 20th century Augustus John (1878-1961) was widely considered one of the greatest living British artists, famous almost as much for his extraordinary Bohemian lifestyle as for his outstanding portraits, etchings and drawings. John was born in Wales in 1878 and educated at the Slade School of Art in London in the 1890s, where the onus of teaching was on the daily life class and a close study of the Old Masters. He soon emerged as a wonderfully gifted draughtsman - indeed, the American painter John Singer Sargent would declare that John's youthful drawings were amongst the fi nest seen since the Renaissance. Dividing his life between England, Wales and France, and reaching his prime in the years immediately before the outbreak of the Great War, by 1910 John would be likened to a British Gauguin, a Welsh Post-Impressionist using bold colours and a willfully naive and primitive style to explore the complex combination of romanticism, escapism and alienation engendered by 20th-century life. The great American collector John Quinn considered John and his sister Gwen key European artists, and his work would be included in the infl uential Armory Show in New York in 1913. After the War he would become Britain's leading society portraitist, earning a fortune in commissions - though it was his more personal paintings of friends, lovers, family and fellow artists and writers such as W.B. Yeats, T.E. Lawrence, Dylan Thomas, Ottoline Morrell and his muse/ mistress Dorelia McNeill that best revealed his great talents. Published to coincide with exhibitions at Poole Museum in Dorset in the summer of 2018 and at Salisbury Museum in Wiltshire in the summer of 2019, Augustus John: Drawn from Life re-examines the life and work of this signifi cant but increasingly overlooked British artist. Focusing on around sixty works drawn from private and public collections, including the Tate, the National Portrait Gallery and the National Museum of Wales, the book will off er new insights into John's life and development as an artist from the late 1890s to the outbreak of the Second World War.

Dora Carrington, Mark Gertler, Paul Nash, Christopher Nevinson, and Stanley Spencer were five of the most important British artists of the 20th century. From diverse backgrounds, they all met at The Slade in London between 1908 and 1910, in what was later described at the school's 'last crisis of brilliance'.

Not everyone can become a tyrant. It requires a particular confluence of events to gain absolute control over entire nations. First, you must be born with the potential to develop brutal personality traits. Often, these are combined in "The Dark Triad" of malignant narcissism, Machiavellianism and psychopathy, as well as elements of paranoia, and an extraordinary ambition to achieve control over others. Second, your predisposition to antisocial behavior must be developed and strengthened during childhood. You might suffer physical and/or psychological abuse, or grow up in trying times. Finally, you must come of age when the political system of your country is unstable. Together, these events establish a basis for a rise to power, one that Joseph Stalin, Adolf Hitler, Mao Zedong, Saddam Hussein, and Muammar Qaddafi all used to gain life-and-death control over their countrymen and women. It is how Osama bin Laden and the leaders of the Islamic State hoped to gain such power. Though these men lived in different times and places, and came from vastly different backgrounds, many of them felt respect for each other. They often seemed to recognize their shared, "dark" personality traits and viewed them as strengths. Only in rare cases did they show signs of mental disorders. "Getting inside the heads" of foreign leaders and terrorists is one way governments try to understand, predict, and influence their actions. Psychological profiles can help us understand the urges of tyrants to dominate, subjugate, torture and slaughter. Tyrannical Minds reveals how recognizing their psychological traits can provide insight into the motivations and actions of dangerous leaders, potentially allow to us predict their behavior?and even how to stop them. As strongmen and authoritarian leaders around the world increase in number, understanding the most extreme examples of tyrannical behavior should serve as a warning to anyone indifferent to the threats posed by political extremism.

Following the sell-out 2014 publication ‘Paul Nash: Watercolours 1910 – 1946' this revised and expanded edition has been published to coincide with an exhibition of Paul Nash’s work in New York, May 2019. The fully illustrated catalogue includes major oils as well as watercolours, prints and photographs and examines one of Britain’s most acclaimed artists of the twentieth century. Written by David Boyd Haycock, author of 'Paul Nash' (Tate Publishing, 2002) and the hugely successful 'A Crisis of Brilliance' (Old Street Publishing, 2009), the catalogue charts the whole of Nash's career from his early days before studying at the Slade School of Art, through to his time at the Western Front during World War I as a serving officer and then an official War Artist, and to his mature Surrealist-era works. In this centenary year that marks the official end to the First World War, the publication reflects on Nash’s unprecedented impact on British Art and the lingering contemporary power of his works today. This selection of works is drawn from major museum and private collections, and includes several hitherto unseen works, spanning all the major genres and themes present in Nash’s diverse career.